For Choice in Education
Class Eleven
The Power of Analysis
They bring mobility into their thinking, which goes beyond the logical causality of their thinking in Class Ten and can now analyse and correlate different factors within a holistic view.
Class Eleven - The Power of Analysis
By the end of Class Eleven, the pupils begin to attain objectivity in their feelings and thus increasing capacity to form judgments of taste, style and social tact. They bring mobility into their thinking, which goes beyond the logical causality of their thinking in Class Ten and can now analyse and correlate different factors within a holistic view. They are also able to think about infinite and non-sense-perceptible phenomena. The pupils have a self-directed sense of social responsibility and are able to correlate and integrate related phenomena in a more holistic understanding.
The sense of social responsibility is supported through their study of history, with its examination of personal, community, and national, responsibility and power. The Botany Main Lesson leads students to an understanding of the complex and sophisticated inter-relationships within the plant world, and to see it as a whole, rather than myriad parts. Student progress is evaluated by classroom observation, papers, Main Lesson books, quizzes and tests.
Class Eleven Course Guide
Main Lessons
In this Main Lesson, Class 11 explore the work and ideas of extraordinary writers such as Blake, Wordsworth, Coleridge, Keats, Shelley and Byron, who asserted their radical vision against the prevailing materialism of the eighteenth and nineteenth centuries, to show that writers are often the ‘Unacknowledged legislators of the world’. In addition to studying the biographies and major works of these poets, students learn about the ideals and themes of Romanticism, and the social and political upheavals that led artists and intellectuals to reject the values of the Age of Enlightenment.
Parzival is a vast, complex tale of adventure and romance written in the early thirteenth century by Wolfram von Eschenbach, a minnesinger who claimed – perhaps facetiously – to be illiterate. It tells of Parzival’s journey from clownish ignorance, through sorrow and doubt to become a Knight of the Round Table and Lord of the Grail. In addition to the challenging reading, the class made notes addressing themes of the work, developed artistic responses to the story, and wrote a final essay.
The Arts from the 18th Century to Modernism
This Main Lesson is an introduction to the prominent art movements from the beginning of the French Revolution to the Second World War. The pupils are asked to deepen their experience with one of the many artistic styles prevailing in the specified period. Their work means to reflect their abilities to research, analyse and reflect on artworks and artists of an avant-garde movement. There is a trip to Tate Britain and Tate Modern during this Main Lesson.
In these sessions we explore a variety of different moments in musical history. Moments which were powerfully important to music, art and society itself. This include exploring leaps forward in technology, cultural changes, the arrival of new genres or significant cultural experiences. We jump from modern day grime music, to ancient religious music, from the beat poets to the birth of humanity. All with the intention of grasping what can cause, and what effects, artistic musical change, essentially ethnomusicology. Each session culminates with a practical musical experiment based on the days session, for example creating a rap based on personal observations after learning about beat poets and rhyme in music. Throughout the sessions students are invited to relate what they had learned to their own musical history. The Main Lesson series concludes with a presentation on an element of their own musical history as well as a recording session of several of the practical musical examples.
The Main Lesson explores the development of projective geometry and relationships between planes lines and points, the infinite plane, the infinitely distant point and parallel lines. The idea of Duality is illustrated through the Theorems of Pappus and Desargues. Pascal’s and Brionchon’s Theorems are used to prove conic curves and to further develop the idea of duality. To demonstrate transformation of form nets of hexagons, nets of quadrangles and sequences of perspective triangles are constructed and Ellipses are constructed from pentagons, pentagrams and triangles. Fundamental to all of the constructions are the theorems of Pappus and Desargues.
Functions are defined and their properties explored. The gradient of straight lines leads to an investigation of the gradient of curves from which the first derivative of the function was defined and shown to give the gradient equation of the curve. Maximum and minimum points and points of inflection were defined. Graphs are plotted using first differentials to determine the coordinates of maximum and minimum points and second differentials to distinguish between them and rates of change were investigated. From the investigation of the gradient function of families of curves the integral is defined. The definite integral is used to calculate the area under a curve and the area between two curves and solids of revolution.
The scientific study of the material universe outside Earth’s atmosphere provides an opportunity to examine the evidence for phenomena that are not amenable to experiment. Beginning with the results of objective observation of the night sky, we trace the development of astronomical and cosmological ideas from the Classical Greek period through to the present day.
Topics include the evidence for a heliocentric solar system; the scale of the solar system, our galaxy, and the universe; the evolution of stars and the Hertzsprung-Russell diagram; classes of deep space object; relativity, dark matter and dark energy; processing and interpreting data obtained by RBV- filtered imaging with research-grade telescopes; estimating the age of the universe using Type 1a Supernovae data.
Defining 'botany' as 'the study of plants' this Main Lesson explores the many ways in which we define and understand the plant kingdom. Starting from first principle observations of plant structures, cell structures and biochemical actions of plants, the Main Lesson progresses into a reductionist approach of defining key features to the point where the scientific definition of 'plant' becomes entirely abstract in relation to our understanding of 'plant'. The juxtaposition of what we know intrinsically and what we know scientifically to be a plant and the paradox of the 'strengths' and 'weaknesses' of scientific attempts to unify these understandings are experienced and explored.
Quantum mechanics provides a means of bringing ambiguity back in the sciences and allows students to consider how equations and models describe (or fair to describe) the universe. The students are encouraged to voice their thought and consider how it is possible to draw multiple conclusions from a single result or observation. This principle is extended into the wider world and its relevance considered. The students are asked to produce a 'Devil's advocate' presentation arguing a case against something they feel strongly about to test their presentational and research skills and ability to construct an objective argument.
The study of the principle biochemical molecules relating to our understanding of 'life'; namely DNA and RNA. The investigation of biochemistry in this context is an investigation into the definition of 'life' in relation to the biochemical paradox, an ambiguous line that manages to divide the realms of chemistry and biology. Life at the cellular level and the various cell structures, the structures, roles and means of manipulations of DNA and RNA and the implications that arise from the 'no-man's-land' that exists between the two disciplines such as the debate surrounding the right to life, to the genetic manipulation of plants and animals to serve our ends and the application of such methods and thinking to our own genetics.
In the first half of this Main Lesson block we focus on a cartographic project. The pupils make imaginary islands out of clay, mapped their coastlines and then sliced them up to create a contour map. Working to the highest cartographic standard that they manage to colour the maps according to cartographic convention, work out horizontal and vertical scales and add a full key. Learning about latitude and longitude via a series of atlas exercises we position the islands somewhere in the world that took our fancy and record their precise coordinates. Then, using our theoretical knowledge from last year’s climate Main Lesson and some personal research in the atlases and online, they develop an idea of the island’s climate and vegetation and write a descriptive geographical profile of the island.
In the second part of the Main Lesson we look at the concepts of ecosystems and biomes and their distribution in relation to world climate; human population size and distribution in relation to climate and natural resources; recent historical population growth and the factors that drove this; the categories, availability and use of natural resources; our ability to meet the resource needs of a rapidly increasing human population; the concept of sustainable resource usage and the disparities in living standards between the rich, developed nations (MEDC’s) and the poor, less developed nations (LEDC’s). To support our understanding of some of these issues we watch a couple of short videos by the Swedish social geographer Hans Rosling.
This Main Lesson is an introduction to early medieval Europe. It combines studies of theology, philosophy, politics and law during late antiquity and at the birth of the Western culture. The lessons elaborates on how the society of medieval Europe emerged as a result of the fusion of the customs of the southward migrating barbaric Germanic tribes and the civilising potency of the Roman Catholic Church - between the fall of Rome and the uniting forces of the Frankish king Charlemagne in the 8th century. During this period, not only did the Church become Europe's spiritual authority but also obtained substantial political power.
*A Main Lesson lasts 2 hours and focuses for up to four weeks on one core subject drawn from the broad curriculum. The specialist teacher in the Upper School endeavours to integrate a range of artistic activities, techniques, delivery methods, learning styles and resources to encourage the pupil’s enthusiastic immersion in the subject.
The Waldorf curriculum brings the learning and the student into the world. In Class Eleven the curriculum includes an appropriate community service experience to encourage students to develop an understanding toward and willingness to help those who are considered disadvantaged in society (special needs, elderly, homeless, refugees). Pupils usually participate in a three-week-long service, where they continued to grow the love of serving others.
Subject Lessons
On a journey to discover, analyse and work with the principles of colour. They met the ideas Goethe formulated about colours. The exercises encouraged the pupils to identify relationships between hues and to articulate their characteristics. During the year, they have the task to express their personal experience with the phenomenon of colour. To recognise its complexities and to experiment with its many qualities.
During the clay busts sessions, the pupils have the opportunity to use this somehow familiar material in a new context. The exploration of the anatomy of the human head; its adherence to universal forms, grasping its eternal arrangements and how it facilitates the manifestation of the unique, individual and temporary. The study of physiognomy in space, the observation of human expressions, characteristics and appearance as encountered by investigating our fellow pupils' features.
The main aim for Upper School Choir is to instil a sense of enjoyment and light-heartedness with regards to singing in a large group whilst also providing a challenge in the longer pieces we prepare for performances. For those who are confident with reading music, the three or four part scores help them to see the overview of the piece we are learning. For those who struggle with singing, we endeavour to provide alternatives such as percussive accompaniment where appropriate.
The main objective of German in the Upper School (class 9 and 10) is to get a deeper insight into learning a foreign language (strategies, learning styles, false friends, etc.), to explore different traditions, to gain self-confidence in communicating with others in a foreign language (different ways of communication) and to see the importance of learning a foreign language not just as an individual but as a member of society as well. Grammatical structures are revisited or newly acquired through self analysis and guided and freer practices whilst covering a range of topics. Individual learning plans enable every single pupil to move forward and progress. Class 11 and 12 will guide the pupils towards discussion and debating skills, analysing films or literature covering all 4 language skills (reading, writing, speaking and listening).
Class 11 looks at matrix arithmetic, logarithms and solving exponential equations, coordinate geometry including equations of normals and tangents to circles, further trigonometry and finding the definition of any angle using degrees and radians, and sequences and series including the sums of infinite and converging series. The lessons are based on the A level but is by no means a full course.
This year the pupils have the chance to work with digital design and film.
In Class 11, the curriculum presents students with material whereby they work towards establishing objectivity through overview both in speech and tone eurythmy. The exercises practised and increasingly brought to awareness are now taken up and shaped anew through knowledge. Texts and musical pieces are freely choreographed or worked on by applying the laws that apply to the movements. The aim is twofold. On the one hand movement is to be schooled and expression through movement practised; on the other hand the pupils are to learn to carry out and experience eurythmy as an expressionistic art. Both viewpoints are intimately related.
Students engage through working on individually devised choreography, as well as choreography devised by fellow students, class ensembles, the teacher, and Rudolf Steiner. Style specific elements of choreography are explored and students use these form elements when choreographing. Students improve their ability to perform specialised movements, such as gesture or tone combinations formed through intended tension and release, while also developing their understanding of the principles of space, time and flow, dynamics, movement communication and relationship.
In both tone and speech eurythmy, the emphasis is on the extension of knowledge and skills through complex sequencing and a study of choreographic techniques in relation to form principles and inner experience. Increased exactitude and the development of refined body and spatial awareness becomes a focus as students aim to become an instrument through which the artistic material can be made visible. Students also view and engage with styles of artistic movement created within diverse cultural contexts and periods.
The Upper School Ensemble offers a practical space for an hour each Friday in which musicians can meet, share ideas and co-create music in a relaxed atmosphere. This session is designed for students of all abilities who play an instrument, share a love of music and wish to play with others. All music is specifically arranged by the music teacher, in collaboration with the students, taking into consideration the combined wish of content, compatibility and style. If there is a festival approaching, consideration is also given to preparing and sharing a performance piece with the wider community. As this is an optional lesson, the constellation of the group changes each term, with visiting students from overseas frequently joining. Soloists are also encouraged to perform whenever possible and pianists and harpists of grade six and above often accompany lower school choirs and festivals.
In Class 11 the aim of the science subject lessons is to focus more on the cross curricular aspects of science. Longer term experiments and extension of the sciences into the wider world and community that require the students to both plan and communicate their ideas more effectively. Data research and referencing becomes more important as do project proposals. Linked to previous years, this is again part of the movement of the sciences and is when students can begin to take far more personal ownership of their research and scientific studies as well as demonstrate a degree of specialisation if they wish. A research project for example.
*Subject Lessons are timetabled weekly.
Craft Workshops
The students experience the art of woodcarving. This we do by first forming an idea of a project mainly by inspiration. They then put their ideas down on paper. As we already knew the size of our material, a scale drawing is made. The pattern is then transferred on to the wood. The students have to maintain a discipline in their work in order for the pattern to work on the overall picture frame. This they do with full understanding. Wood Carving requires an eye to hand coordination. The eyes are used extensively for measuring. We use a number of different sized and shaped carving tools, starting with the largest shaped one, thereby avoiding the temptation to go into fine detail too quickly. The students then experience the meaning of “it's not what you take away, it's what you leave behind”.
In this block the students are introduced to several kinds of bookbinding methods with the kind help of the Wessex Guild of Bookbinders. They create an A4 notebook by using conventional binding practice finished off with a marble papered hardcover; an A6 wrap around leather journal which is initialled using gold foil and hand tools; a cross structure bound small journal, and various other small books including Japanese stab bound books.
In this Jewellery module the students are introduced to working with precious metals and intricate designs. Jewellery is different to most other craft disciplines as it has no other function than to be beautiful and therefore requires a higher level of discipline and finish. The design and fine motor skills required to successfully finish a piece of jewellery is a natural progression from all the art and crafts that the students will have done up until this point.
Art Projects with
British artist Stuart Semple is a regular visitor to the Upper School, inspiring the pupils to challenge their conception of art and art-making.
Community Service Work Experience
The Waldorf curriculum brings the learning and the student into the world. In Class Eleven the curriculum includes an appropriate community service experience to encourage students to develop an understanding toward and willingness to help those who are considered disadvantaged in society (special needs, elderly, homeless, refugees). Pupils usually participate in a three-week-long service, where they continued to grow the love of serving others.
I discovered that all the companions have their unique ways of communicating, working and needing assistance. This made me aware of how patient and compassionate you need to be to work in this sort of environment. The goal is not to finish the task at hand or try and get as much work accomplished as possible but instead to address and read the pace that the companion can work at.
I also found out that many of the companions have a wicked and cheeky sense of humour. They are also always eager to talk to you and pay interested in your wellbeing. I did, however, later discover that they have the best memory for remembering every little detail you tell them! I thoroughly enjoyed my work experience there and it was eye-opening to work alongside a community that I have grown up nearby to but never fully understood the work they achieve there.
Róishín Callebout - Class Eleven 2017
I soon found myself focussing more on the task at hand and less on thoughts of all the many things on which my time could have been put to better use. I developed a determination to do my work, and do it properly, and I began to find that I was entrusted with more enjoyable tasks, among these being chopping wood with Michael which was incredibly fun as I got to drive a buggy and operate a hydraulic wood-cutter.
The constant interaction with nature drove me to question what it was that people got out of agriculture. I would regularly walk past allotments for one of my tasks, and see many people hard at work growing an amount of food that, penny for penny, second for second and calorie for calorie was almost obsolete when compared to what one could get from the supermarket. If you can buy five lettuces for under five pounds, then why spend more money on seeds, land, fertiliser, pesticide, and slug netting, just to grow the same amount over several weeks?
Ruben Kitson - Class Eleven 2017
By the third week, we were fairly used to the working of the farm and continued with the jobs from the previous week. Later in the third week, we took part in the unearthing of the re-energisers for the muck and compost heaps.
Across the three weeks, we worked alongside the companions: particularly whilst mucking out the cow and sheep sheds. Whilst we were not allowed to work alone with them, we got to know a few of them very well by the end of our time there.
All in all, the time at Sturts farm was a great learning experience and a good place to do our three weeks of community work.